It is not immediately obvious why The Strangers is rated R. The horror film, about a young couple (Scott Speedman and Liv Tyler) terrorized in their home by a group of sadistic masked assailants, is reasonably violent, but not very graphic: aside from a brief glimpse of a pretty nasty gunshot wound and some stabbings that are either obscured or off-screen, there's not much here that would ordinarily raise rating board eyebrows. (The elaboration states that The Strangers is rated R for language in addition to violence, but there are, at the most, one or two muttered F-bombs.) In terms of content, PG-13 films have gotten away with worse. Hell, the PG-rated Chronicles of Narnia: Prince Caspian featured a decapitation, which is more than we see here. What, then, explains the MPAA's harsh (and no doubt economically damaging) treatment of The Strangers?

I am convinced that the film broke the R threshold in the eyes of the MPAA for one reason: it's pretty good. Tight, intense, often legitimately frightening, and committed to its suburban-nightmare premise, The Strangers may not be gory, but I wouldn't wish it on too many kids under fifteen. It's a classical, no-frills, 85-minute blast of cold air, a refreshing bit of professionalism in a genre whose mainstream, at least, has been plagued of late by lazy pandering and general shoddiness.

After a brief detour through the more substantial, it looks like the Coen brothers are back in full-on madcap comedy mode with this fall's Burn After Reading. The first trailer has made an appearance here, though since it's red-band, the site requires you to go through a cumbersome process involving iTunes. Among other things, it affords the rare treat of seeing John Malkovich punch Brad Pitt in the nose.

It's always hard to predict how Coen movies are going to come together, but although Pitt might deserve an Oscar for the little dance he does at 1:36, I don't think Burn After Reading will be making an awards run -- it looks very, very strange, sort of in the vein of Raising Arizona. (On the other hand, the fact that the utterly insane O Brother, Where Art Thou? managed a screenplay nomination might mean all bets are off.) I cherish the Coens' comic sensibilities -- Intolerable Cruelty and The Ladykillers were trifles, but they made me laugh, really hard. This looks similarly anarchic and over-the-top.

Burn After Reading premieres at the Venice Film Festival in August and hits theaters September 12th.

Update: Cinematical was informed that the film still does not have a title, though we imagine one will be announced soon. See full (and accurate) press release after the jump.

Since news first broke about Sam Mendes making the leap to comedy with John Krasinski and Maya Rudolph, I've become awfully curious to see if the man famous for heavy subject matter can pull off a straight rom-com. Coming Soon has received a press announcement from the JW Marriott Starr Pass Resort & Spa in Tuscon, Arizona, and according to them, the spa has been chosen as one of the locations for the road flick. More importantly, we now know that the film is going by the slightly awkward title of Farlanders.

McSweeney's founder Dave Eggers co-wrote the script with his wife, Vendela Vida, and the story centers on an expectant couple played by Krasinski (sporting some much-maligned facial hair) and Rudolph as they travel the US looking for the perfect place to start their family. The film has a big ensemble cast to play the various 'characters' our couple will meet along the way -- including some very funny women like Catherine O'Hara, Cheryl Hines, and Allison Janney.

Production began back in April, and according to the release, the Arizona shoot will begin in June. Some of the other locations include Colorado, Connecticut, and Florida. There is no official release date, so I guess I'll have plenty of time to get used to that title.

Farlanders The Untitled Sam Mendes Comedy is due to arrive in theaters in 2009.

An Academy Award-winning filmmaker has chosen his next project. Kevin Macdonald has signed on to direct Roman epic The Eagle of the Ninth, according to an announcement in Cannes by Focus Features. Macdonald won an Oscar for his superb documentary One Day in September and guided Forest Whitaker to his Academy Award for Best Actor in The Last King of Scotland.

Scotland co-writer Jeremy Brock adapted the screenplay for Eagle from the novel of the same name by Rosemary Sutcliff, the first in a series, originally published in 1954. The book is set in the second century in Roman-ruled Britain, telling the tale of a young Roman's search for "the truth about the disappearance of his father's legion," according to Wikipedia. Focus emphasizes the danger involved, with its hero off "to confront ... savage tribes, make peace with his father's memory, and retrieve the lost legion's golden emblem, the Eagle of the Ninth."

While I'm still not convinced that North American audiences are ready for the strange genius that is Steve Coogan, at least they will get the chance to have a little taste. The first poster for Andy Fleming's comedy Hamlet 2 has arrived in our inbox (see to the right, and click to enlarge). So in case anyone was confused, the poster (and R-rated trailer) makes it clear that this movie is going to be packed to the brim with poop jokes.

Coogan stars as a hapless drama teacher in danger of losing his job. In an attempt to drum up some interest in his drama class, he writes the sequel to Hamlet. Now, as any good English student knows, everyone dies at the end of Hamlet (oops, 400-year- old spoiler alert), so where can you go from there? It turns out you make a politically incorrect musical with numbers like Rock Me, Sexy Jesus.

Joining Coogan in the cast are Catherine Keener, David Arquette, and Amy Poehler. With comedy talent like that, how can you go wrong? A cut of the film screened at Sundance back in January, and earned the film the highest bidding price since Little Miss Sunshine. But unlike Sunshine, something tells me Hamlet 2 won't be grabbing an Oscar nod.

Hamlet 2 is scheduled for wide release on August 28th.

After the gut-wrenching terror of No Country for Old Men (I haven't been that tense in a movie theater since, well, ever), I can safely say that I am incredibly relieved that the Coens' next film, Burn After Reading, looks like it is going to be a lot more fun. First Showing now has some stills from the Coens' black comedy, and it would appear that the brothers are returning to what I like to call their 'Raising Arizona roots.'

Burn is the story of a CIA agent (played by George Clooney) who is assigned to investigate the case of a former agent named Ozzie Cox (John Malkovich) who has taken his revenge on the agency by writing a tell-all memoir. When Cox's ex-wife (played by Tilda Swinton) steals the only copy and leaves it behind at her gym, the gym's owner (Frances McDormand) and star personal trainer (Brad Pitt) see an opportunity to engage in a little blackmail.

The Coen flick just got the nod to open the Venice Film Festival this year, but Burn will not be making an appearance at Cannes this year (which is a little strange considering the luck they had at the French festival last year). This makes it zero for two for Pitt now that his other high-profile film, The Curious Case of Benjamin Button, also failed to make the list for Cannes. Burn After Reading is scheduled for wide release on September 12th, 2008.

Great day in the morning! Two of my favorite actors on the planet are joining the cast of Sam Mendes' increasingly promising 2009 comedy, which has yet to find a title. According to a Focus Features press release that landed in my inbox, Jeff Daniels and Catherine O'Hara will round out an ensemble that already includes John Krasinski, Maya Rudolph, Toni Colette, Cheryl Hines and Allison Janney. The screenplay was co-written by McSweeney's founder and Heartbreaking Work of Staggering Genius author Dave Eggers and novelist Vendela Vida. The film "follows the journey of an expectant couple as they travel the U.S. in search of a place to put down roots and raise a family."

O'Hara is probably the funniest woman on the planet, and Daniels can bring heart and humanity to any film, so this is good news indeed. With Christopher Guest taking a break from making the movies that have been her bread and butter over the years, O'Hara can use the high-profile work; her only screen appearance this year or last has been in the underrated Penelope.

Mendes also has the DiCaprio-Winslet reunion movie Revolutionary Road in the works -- it will headline the 2008 Oscar season -- but this new project will be his first stab at comedy. Eggers co-wrote the adaptation of Where the Wild Things Are with Spike Jonze, which should finally see the light of day next year as well.

We haven't had much luck with female comic book heroes, perhaps because the only ones that have made it to the screen have been halfhearted spin-offs from male-led franchises. Audiences quite justifiably said "no, thank you" to Elektra and Catwoman. Rogue wants to change that by adapting Hack/Slash, a female-led comic book that's actually distinctive, with a protagonist who is no one's sidekick, thank you very much. Justin Marks, who is also writing the upcoming Street Fighter: The Legend of Chun Li for Fox, will take a pass at the screenplay, and music video and commercial director Todd Lincoln will make the film his feature debut.

Hack/Slash tells the story of Cassie Hack, a cute goth girl who survives an attack by a brutal slasher villain named the Lunch Lady, recruits an enormous sidekick named Vlad, and travels the country taking out slashers and serial killers wherever she finds them. As you might expect, the comic book has horror and comedy elements, and the movie is expected to have the same. If nothing else, this sounds like it might please the legions of Buffy fans who have been waiting for someone to take the Vampire Slayer's place. And horror geeks might be pleased to have something that toys with their genre's conventions, though I would as soon not witness the return of Kevin Williamson.

If you're familiar with the source material, please weigh in below.

Toni Collette has joined the cast of the still-untitled Sam Mendes relationship film -- you know, the one starring John Krasinski and Maya Rudolph, and being penned by Dave Eggers and Vendela Vida.

According to The Hollywood Reporter, Collette will be playing a college professor and close friend of the young couple -- two folks who are scouring the country for a place to settle and raise their child, and Collette's character feels that it'll be dysfunctional no matter where they end up. Smart lady!

The movie pairs Collette up again with Big Beach producers Marc Turtletaub and Peter Saraf, who produced Little Miss Sunshine. Focus is hoping to capture a bit of that magic, since they gave up their claim on that enormous indie hit.