Since it doesn't open for another week, I'm not allowed to spill much about what I thought of Tropic Thunder, but suffice it to say, the laughs get off to an extra-early start with a collection of fake trailers featuring our leads as the film's stars in other projects. Along the same lines came promotional efforts that included a fake trailer for a fake making-of doc (well, the DVD will prove that one) and several websites for those characters and their movies.

One of those websites was for Ben Stiller's character, Tugg Speedman, in his high-profile bid for awards glory as a mentally disabled farmhand in Simple Jack. However, out of context, this high-concept faux-site has stirred up concern from the likes of many very real disability rights groups -- among them, the Special Olympics -- and according to Variety, the site has been pulled down in response.

The concern is fairly grounded, but it's a relatively minor kerfuffle that will damage neither the image of the represented individuals nor the performance of the film when it opens... a film which just so happens to boast a terrifically astute assessment of performances similar to Speedman's in the real industry, no part of which can stand to be repeated here and especially now.

Maybe I missed something, but since when did releasing films on a Wednesday become a commonplace strategy? I know, for years and years, several titles have opened mid-week, albeit typically on a handful of NY/LA screens or to capitalize on a holiday weekend.

But due to some recent moves, every Wednesday in August now has at least one wide release opening on it instead of Friday. On the 6th, we have Pineapple Express and The Sisterhood of the Traveling Pants 2; the 13th brings us Tropic Thunder; the 20th, The Rocker; and then Traitor on the 27th.

There are at least three other wide releases on the last three Fridays of the month, but I see no distinct point at which a two-day head start would make any great deal of difference (although I presume that Pineapple still wanted to have seven days on Tropic instead of five when it comes to their similar target demographic).

Was there a holiday I overlooked somewhere? Is it now cooler for kids to go to the movies on a school night once classes are back in session? Do you guys have any theories, or will you still wait for the weekend to catch any of these regardless?

When you see the words "performance artist" in a news article, you can almost bet the words "publicity stunt" will soon follow, and I believe that's what we have here. A Beijing artist named Zhao Bandi, who uses images of pandas in all his work and walks around all the time carrying a stuffed panda, is suing DreamWorks over its offensive depiction of the animal -- the Chinese national symbol -- in the recent animated hit Kung Fu Panda.

The film has been successful in China, too -- or, as Variety puts it, "has done boffo B.O." -- which suggests the average Chinese citizen doesn't find it insulting. But Zhao says differently. His two major points of contention? First, Po, the panda voiced by Jack Black who is the film's protagonist, has green eyes, and green is the color of evil. (I have zoomed in on the eyes in the picture so you can see for yourself how evil they are.) Second, Po's father in the film is not another panda but a duck. (Well, Zhao says he's a duck. I thought he was a goose. If I'm right, will that technicality invalidate the lawsuit?)

Variety quotes Zhao as demanding to see DreamWorks' "creative meeting records" to explain Po's green eyes, which he insists must be a "conspiracy." As for the duck issue, Zhao says this: "Drawing the father of the giant panda as a duck is an insult to the Chinese people. In a few years time, I'm worried some young Chinese people will think their ancestor is Donald Duck." I confess I don't see why thinking you descended from a duck is any worse than thinking you descended from a panda, but my knowledge of Chinese culture is somewhat limited.

Dang it's pretty wild how just one little movie has turned Diablo Cody into the most discussed screenwriter since Joe Eszterhas. (I was going to say "...since David Mamet," but he's a playwright first.) The gal has a tons of projects in the percolation stage -- from the Showtime series The United States of Tara to the Fox-heavy thriller known as Jennifer's Body -- and now she's been hired by Steven Spielberg (once again) to turn one of his ideas into a movie. (It's only a matter of time before Spielberg forces Diablo Cody to marry Shia LaBeouf, isn't it?)

According to Variety, the untitled project is a comedy. Oh, also the "studio is keeping story details under such tight wraps that even dealmakers involved with the project were in the dark." That's it. An idea by Spielberg that Cody will adapt. No producers, actors, directors have been announced. And yet ... somehow I know that DreamWorks already has a hit on its hands.

In related news, I think Cody is really cute.

Just about every studio is still trying to find its Lord of the Rings or Harry Potter franchise, and here is DreamWorks' latest attempt. According to The Hollywood Reporter, they bought the rights to P.B. Kerr's Children of the Lamp series a while back. Lee Hall wrote a draft before the WGA strike, but the duty of adaptation has now been handed to Dave Guion and Michael Handelman. No time-frame or director has been set for the project.

Children of the Lamp is a series of four books that deals with a family of dijinn (known casually to Western culture as genies) who disguise themselves as humans, but can still grant wishes to humans. It centers around two young dijinn twins, John and Philippa Gaunt (nice nod to the Plantegenets there), and their challenges adapting to the world of magic and wish-granting. While honing their skills, they must often confront the powers of evil in order to keep the balance between good and evil. Their adventures take them from their childhood home in Manhattan to the snowy reaches of Nepal.

Yes, it sounds more than a little like Harry Potter, albeit with more globe-trekking. Hopefully, that's just a misconception born of Wikipedia and not a reflection of the actual books. Has anyone out there in Cinematical comment land actually read them, and can fill us in?

Even though the inevitable backlash against Shia LaBeouf has already begun, you have to respect a guy who made his start in flicks like Dumb & Dumberer: When Harry Met Lloyd and made his way to the coveted spot of Spielberg's go-to leading man. Plus, he has a way of making me enjoy films that I normally wouldn't plunk down my hard-earned dollars for. Trust me when I say that it took a lot of restraint not to throw things at the screen during Transformers, so, I really hand it to the guy. Hopefully some of that magic will rub off on the Dreamworks action thriller, Eagle Eye. JoBlo now has the first look at the poster and Mr. LaBeouf seems to really be working the 'intense look' this time around.

LaBeouf plays Jerry Shaw, a slacker who returns home after the mysterious death of his successful twin brother -- gee, do you think there will be a case of mistaken identities? Along with a single mother played by Michelle Monaghan, the two are framed as terrorists, and are threatened into becoming members of a cell plotting to assassinate a politician. Joining in on the fun are Rosario Dawson, and Billy Bob Thornton as the two government agents that are a step behind.

Eye reunites LaBeouf with Disturbia director, D.J. Caruso, in an action thriller that was originally on Spielberg's to-do list. Now that we got a better look at the film, the longer trailer helped ease some of my concerns that instead of Rear Window, Caruso and company were looking to rip-off North by Northwest this time around.

Eagle Eye hits theaters on September 26.

I've come to the conclusion that Steven Spielberg must not need any sleep. Because Variety is reporting that he's just added another project to his busy plate: 39 Clues, a multiplatform adventure series that will launch September 9th and run for two years. It spans a series of ten books, collectible cards, and an online game. The game will actually be designed around a contest, where young participants will try to solve the mystery scattered throughout the books, with a chance to win $10,000. Whew! Just typing all that makes me tired, I can't imagine sorting through it to make a movie.

39 Clues does have a neat, Indiana Jones feel to its storyline -- it centers on the most powerful family in the world, the Cahills, who boast Houdini and Napoleon among their relatives. The adventure kicks off in the first book, Maze of Bones, when the death of the Cahill's matriarch, Grace, sparks off a race for the inheritance. She hasn't made it easy, you see: Her last will offers her descendants the choice between $1 million, or a clue. Scattered around the world and throughout history, the clues will reveal the source of the family's secret powers. Spielberg is contemplating taking the director's chair, and aims to have a screenwriter attached in the next few weeks. And the first book hasn't even hit Barnes and Noble yet!

When we last saw a (teaser) trailer for Eagle Eye - the forthcoming thriller that reunites star Shia LaBeouf with Disturbia director D.J. Caruso and Transformers executive producer Steven Spielberg - I commented with something along the lines of, after "reading the synopsis, I've always thought that Caruso and company were following their Rear Window re-do with North by Northwest 2.0."

...which I then followed up with "Whether that's the case or not, I'm a sucker for a chase movie, and more so for [co-star Michelle] Monaghan. Count me in." Well, judging from the new trailer up at Yahoo! Movies, I'll be having a modest amount of crow for lunch later today, as there now seems to be enough distinct differences between that Hitchcock classic and this paranoid techno-thriller that it'll likely excite on its own merits (fingers crossed).

Sure, we seem to have another one of those incredibly elaborate plans on behalf of the baddies that already appears to have too many variables for its own good, but you know what? So long as the thing moves, I'm not above setting aside brains in favor of brawn.

With a cast that also includes Rosario Dawson, Billy Bob Thornton, and Michael Chiklis, Eagle Eye hits theaters on September 26.

Over the weekend, Paramount Pictures International went over the $1 billion mark, reportedly thanks to the success of its distribution of summer blockbusters Iron Man ($210 million), Indiana Jones and the Kingdom of the Crystal Skull ($350 million) and Kung Fu Panda ($41 million), as well as earlier releases The Spiderwick Chronicles ($91 million), Cloverfield ($90 million) and No Country for Old Men ($86 million). Paramount is the first studio to reach a billion bucks in international grosses this year, and it did so faster than in 2007, when it didn't top the figure until late July.

But is it really fair for Paramount to be bragging so much? On her Variety blog, Anne Thompson weighs in on the news, pointing out that all three of the studio's summer blockbusters were produced outside the main studio. Indiana Jones was Lucasfilm; Iron Man was Marvel; Panda was DreamWorks Animation. Of course, Paramount deserves a lot of credit for the marketing of these films, but Thompson wonders what it will be like if DreamWorks really does break away soon. Fortunately it has a good looking slate for the next few years, thanks to next year's toy-based titles Transformers: Revenge of the Fallen and G.I. Joe, and then the next four or five Marvel Studios releases in 2010 and 2011.

According to The Hollywood Reporter, Robert Downey Jr. is in talks to star in Cowboys and Aliens, DreamWorks' adaptation of Fred Van Lente and Andrew Foley's graphic novel. (Read Matt's original story on it.)

Downey Jr. would play Zeke Jackson, a former Union Army gunslinger, who is engaged in a battle against the Apache. But the battle between settlers and Native Americans is interrupted when an alien spaceship crashes into the Silver City prairie. Turns out, they have their eye on conquering Earth, forcing the warring westerners to form an uneasy alliance.

The project has been in and out of development for years, but apparently the latest draft is catching some A-list interest. As it was written by Hawk Ostby and Mark Fergus, who were behind Iron Man and Children of Men, I am immediately expecting good things out of something that, if handled poorly, could be as bad as Wild Wild West. Good writers and a good actor like Downey Jr. could make this movie incredibly fun. This is how movies like the first Pirates of the Caribbean come about.

I have to say, between this and Downey Jr.'s rumored interest in a comic-based Sherlock Holmes, I wonder if he is going to plunge into Hugh Jackman levels of geekdom. They will have to start fighting each other to get to the best comic book scripts. And that should be a movie all its own.